Review

Bailey Grey’s debut LP is genuinely good. There’s no overstuffed production trying to compensate for weak songs, no gimmicks. Just a person who moved from acting to music and clearly found where she belongs. The album bounces between different sounds (jazzy pop, blues, alt-rock) but it never feels scattered. “Out in Under” has this groovy …

Scott’s Tees put together a bedroom recording that sounds exactly like a bedroom recording, and I mean that as a compliment. This Edmonton solo artist used a Tascam and Audacity to capture “We Move As Fast As Storms Allow”, and you can tell every part was carefully considered even if the equipment wasn’t fancy. The …

Shweta Harve asks a question most of us avoid looking at too closely, and she’s made me think about it more than I expected, and her second collaboration with Dario Cei has this reflective quality that sneaks up on you; her vocals sound genuine and unforced, and the production has enough polish to keep things …

La Need Machine pulled off a pretty cool trick with this one. You start listening and think you’re hearing a love song to a partner, but then it hits you, they are actually talking about rock music itself. Both work perfectly, and that is where the fun is. The Seattle group gets right to business …

David Palfreyman’s latest album is a proper blend of rock and folk that doesn’t waste your time, and the songs are well-written, and the players he’s brought in know their stuff. David Clayton, who spent two decades with Simply Red, plays keys and adds real depth to the arrangements. Ben Miles, yeah, the actor from …

Morten Alsinger’s debut as TRALALAS is a proper return to form for someone who’s been kicking around Denmark’s underground for years. “Ornament” gives you nine tracks of dark pop that actually earn the label: this is moody stuff, but it’s got backbone. The singles “Winter on the Vine” and “Burns” are strong entry points, but …

LESS pulls off a fun early 2000s throwback on her latest single without making it sound like a nostalgia trip. The song has bite to it. Her lyrics lean into irony in a way that actually lands, and you can tell she’s having fun with the writing. Her voice sits clear in the mix, direct …

Kush Powers linked up with Mike B Benno and Tony Lee on this one, and honestly, it works. The track digs into heartbreak, addiction, and loneliness but doesn’t wallow in any of it. There’s hope here, and you can hear it. The chemistry between Kush and Benno is real. Both of them have been through …

Adai Song grabbed a bunch of old Shanghai standards from the 1920s-1940s and decided they needed a serious upgrade, and the result is an album that sounds like nothing else you’ll hear this year. She takes these vintage Chinese melodies and throws in EDM production, rap verses, and lyrics about women who are tired of …

Charlotte Clarke really nailed it with her latest single. The song compares a failing relationship to a sinking ship, which could’ve been cheesy but she makes it work. You can hear her struggling with that impossible choice: stay and lose yourself, or leave and deal with the heartbreak. About halfway in, the song does this …

One Flew Over’s new single “Eyes Open” is a proper belter. Irene Ní Chuinn’s vocal performance is massive. She sounds like she means every single word, and that conviction makes all the difference. When a singer can make you believe the story they’re telling, half the battle is already won. The song deals with that …

JW Paris delivers a proper Britpop banger with “Anything”, their latest single that sounds like it crawled out of a Camden pub in 1995, and This London three-piece has nailed the balance between nostalgia and fresh energy, with spiralling guitars and a rhythm section that hits hard from the first note to the last. Danny …

JESUS THE APOLLO impressed me with “THE VILLAIN!” and it hits hard. The guitar work is aggressive, the rap delivery is tight, and somehow it all clicks together without sounding forced. You get these name-drops of Michael Myers, Thanos, and Darth Vader that could’ve been corny but actually land perfectly because the whole attitude of …

Grant Borland’s latest as Soek takes you back to those years when scraped knees didn’t slow you down and summer days lasted forever. The single recreates that invincible feeling kids have before life gets complicated. The piano moves around with the same energy a child has, bouncing, unpredictable, but always purposeful. Live strings recorded by …

Ezra Vancil’s “Island” is a song about getting your life back after it’s been in pieces. He wrote it a few years after getting back together with his wife, and you can hear that relief in every note. Recorded in a cabin out in East Texas with his daughter Cozi singing backup, the track has …

Samuel Yuri’s latest single grabs you right from the start with its gritty, heavy sound. The São Paulo artist has put together a track that bounces between goth rock, grunge, and classic rock without getting stuck in any one box, and the guitars are aggressive and unpolished in the best way, and the drums deserve …

Exzenya’s latest track “Ugly When You Love Me” is beautiful and will hits you with cold electronic beats and a voice that knows exactly where to strike. This song lives in that uncomfortable space where you finally see someone’s affection for the manipulation it always was. The production keeps everything tight and deliberate, and every …

Heron’s latest single is wonderful and right from the opening piano chords and exposed vocals, you can tell this isn’t your typical pop track. The arrangement grows naturally, adding guitars, strings, and harmonies that give the whole thing a warm, almost cinematic quality without ever feeling overproduced or cluttered. The lyrics challenge listeners to reconsider …