Soundscapes and Stories, Only at little chief

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Review

“Which One is Real?” by Shweta Harve

Shweta Harve asks a question most of us avoid looking at too closely, and she’s made me think about it more than I expected, and her second collaboration with Dario Cei has this reflective quality that sneaks up on you; her vocals sound genuine and unforced, and the production has enough polish to keep things …

Review

“Kissing Stacey” by Dreaming Soda

“Kissing Stacey” by Dreaming Soda came from watching some YouTube video about Barbie movies and queer theory, which honestly sounds like the most random source of inspiration ever. The production on this thing is really solid without being overdone, and you can tell they spent time getting it right at Hercules studios because every little …

Review

“Last Name” by Cali Tucker

“Last Name” by Cali Tucker takes the old Cinderella story and turns it into a country song about making your own way in the world. Cali sings like she’s lived every word of this song, her voice shifting between soft vulnerability when she talks about having no safety net and real grit when she gets …

Review

“The Maine Thing” by Kevin Driscoll

Kevin Driscoll stumbled onto something good with his latest single. A guitar riff discovered while exploring Maine’s coast became the backbone of a song that sounds like it was recorded in your buddy’s living room – in the best possible way. The track runs on simplicity without being boring. Driscoll played everything himself except for …

Review

“SACRIFICE” by The Mess:Age

This one came out of those weird lockdown months when he was stuck in the studio alone, dealing with all the chaos happening around us. You can hear that frustration and confusion he was going through, but he turned it into something worth listening to. The guy knows his way around music – he’s worked …

Review

“Fly” by Sofie Elezaj

Sofie Elezaj’s “Fly” caught me off guard in the best way and I love what she does. I wasn’t expecting much from another pop song about overcoming struggles, but this Swedish artist actually pulled it off without making me cringe. The song starts quiet and builds into something bigger, which sounds obvious but Sofie does …

Review

“Ladybug Field” by Larry Karpenko

Larry Karpenko turned a regular park visit with his kids into “Ladybug Field” after they stumbled upon hundreds of ladybugs swarming the grass. Larry kept the recording simple – he plugged his Fender Telecaster straight into an API preamp without any pedals or amps. The direct approach gives the track a clean, personal feel that …

Review

“Mid Welsh, Pt. 1” by MOLETRAP

MOLETRAP sounds like three mates who got properly fed up with everyone treating Mid Wales like a motorway service station. Their debut EP tackles that head-on with five tracks that bounce between Welsh and English, refusing to play nice with anyone’s expectations. “Rhagofn” opens with vocals that could wake the dead before the guitars kick …

Review

“Bread & Circuses” by Powers of the Monk

Powers of the Monk puts together a weird and uncomfortable four-minute ride about losing your mind. David Monk sounds like he’s genuinely struggling with the vocals, which actually works for a song about hearing voices and splitting into pieces. What really grabbed my attention is he production quality. John O’Reilly went overboard recording fifteen different …

Review

“Bloom” by Shelita

Shelita drops another winner with her newest track that mixes reggae vibes with pop in ways that actually work. Her voice sits perfectly on top of these laid-back rhythms, never fighting for space or trying too hard to impress. The whole universe-love angle could have gone sideways fast, but Shelita keeps it real, she talks …

Review

“FunkyLines” by Siggimusic

Siggimusic just dropped “FunkyLines” and it’s got this infectious groove that gets stuck in your head whether you want it there or not. The Toronto artist mixes pop with funk in a way that actually works instead of sounding like he’s trying too hard to be different. Here’s the cool part – the song shares …

Review

“Gambler” by The Eisenhauers

The BC folk duo is back after eight years, and “Gambler” feels like catching up with old friends who’ve been through some stuff. The song is about the uncomfortable truth that relationships are basically one big bet where nobody knows the outcome. Recording this live at Vancouver’s Warehouse Studio was a smart move. The band …

Review

“Pretty Sparkly Things” by Energy Whores

Okay, so Energy Whores came out swinging with this one. “Pretty Sparkly Things” is basically what happens when you’re fed up with seeing billionaires on your timeline while your rent’s overdue. Carrie Schoenfeld doesn’t mess around here. She’s straight up calling people out, talking about bills you can’t pay while some pop star’s living it …

Review

“Summer’s Falling” by POLI NIKA

POLI NIKA’s “Summer’s Falling” hits you right when those last summer days are slipping away, but you’re too wrapped up in good vibes to stress about it. Right from the start, you get these quiet beats that pull you in without trying too hard. Her voice just flows naturally over these airy synths, and it …

Review

“Exploding Stars” by Joseph Bell

Joseph Bell’s debut album lands after a year of building buzz, and honestly, it’s incredible. The guy’s come a long way from those Shrewsbury open mic nights, and you can tell he’s put real thought into these songs. All centered around friendships and relationships getting messy. Joseph just lets the complications exist, and his vocals …

Review

“Liquid Reality” by Anupam Shobhakar

“Liquid Reality” is Anupam Shobhakar’s newest album. It’s not trying to show off how different it is, it just happens to be. From intricate Indian rhythms to electric jazz rock grit, every piece sounds like it belongs, even when it shifts gears completely. His double neck guitar, part fretless and part fretted, isn’t just a …