Goldberg took his piano piece and threw it into a blender with some seriously heavy guitars, and honestly? It works better than it should. The whole thing starts pretty, then gets mean fast when those baritone guitars kick in.
Peter Voronov’s violin is doing some wild stuff over the top, it’s not your typical metal violin work. More like he’s trying to slice through all that low-end rumble that Rich Gray and Fabio Alessandrini are putting down. Those guys know how to make things sound huge without getting sloppy.
The time signature changes could’ve been a disaster, but they actually flow pretty naturally. When it drops into half-time, you feel it in your chest. Then those choir sounds come in and suddenly you’re in some gothic cathedral instead of a metal show. This isn’t your standard remix job where someone just adds drums and calls it good. Goldberg actually rebuilt the whole thing from scratch.
Warple Bunny Studios did solid work on the recording, you can hear everything clearly even when it gets chaotic. Perfect for late-night drives or gym sessions when you need something with actual substance.
Follow Michael Goldberg on Instagram for more updates on his musical projects.
