Ian Brodsky’s second album shows a songwriter who’s figured out how to make his cerebral approach work with bigger, more energetic arrangements. The New York musician trades some of his previous introspective focus for indie rock confidence, and the result feels natural rather than forced.

“Trash Panda” proves why it became a crowd favorite, it’s catchy enough for social media but smart enough to reward repeated listens. The track captures Brodsky’s ability to write hooks that stick without dumbing down his lyrical approach. “Little Miss Sunshine” is the one I adore the most The album benefits from Brodsky’s expanded sonic palette. Jazz horns, folk strings, and vintage synths flesh out arrangements that previously might have felt sparse. These additions give his quirky, thoughtful lyrics more room to breathe while adding momentum to the overall flow.

Ian handles production duties himself, and his instincts serve him well. The songs move between triumph and insecurity, lost love and friendship, without feeling scattered. A talented artist that you need to keep an eye on.

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