Soundscapes and Stories, Only at little chief

Review

“Kissing Stacey” by Dreaming Soda

“Kissing Stacey” by Dreaming Soda came from watching some YouTube video about Barbie movies and queer theory, which honestly sounds like the most random source of inspiration ever. The production on this thing is really solid without being overdone, and you can tell they spent time getting it right at Hercules studios because every little …

Review

“Dark Charm” by Sugar Scars

The El Paso/Juarez duo knows how to build tension without getting too heavy-handed about it, layering in dance elements and shoegaze textures while keeping those gothic vibes running underneath everything. You can tell these guys learned a lot from their last album, “Rhythmic Body Reflexes” because they’re playing with sounds here that feel both experimental …

Review

“The Maine Thing” by Kevin Driscoll

Kevin Driscoll stumbled onto something good with his latest single. A guitar riff discovered while exploring Maine’s coast became the backbone of a song that sounds like it was recorded in your buddy’s living room – in the best possible way. The track runs on simplicity without being boring. Driscoll played everything himself except for …

Review

“Bad Dreams” by Katie Belle

The Atlanta singer-songwriter Katie Belle takes her real struggles with insomnia and wraps them up in synth-heavy beats that’ll get your head nodding whether you want it to or not. Her voice has this scratchy quality that works perfectly over the electronic layers, like she’s singing from that weird space between being awake and asleep. …

Review

“Fly” by Sofie Elezaj

Sofie Elezaj’s “Fly” caught me off guard in the best way and I love what she does. I wasn’t expecting much from another pop song about overcoming struggles, but this Swedish artist actually pulled it off without making me cringe. The song starts quiet and builds into something bigger, which sounds obvious but Sofie does …

Review

“Ladybug Field” by Larry Karpenko

Larry Karpenko turned a regular park visit with his kids into “Ladybug Field” after they stumbled upon hundreds of ladybugs swarming the grass. Larry kept the recording simple – he plugged his Fender Telecaster straight into an API preamp without any pedals or amps. The direct approach gives the track a clean, personal feel that …

Review

“Mid Welsh, Pt. 1” by MOLETRAP

MOLETRAP sounds like three mates who got properly fed up with everyone treating Mid Wales like a motorway service station. Their debut EP tackles that head-on with five tracks that bounce between Welsh and English, refusing to play nice with anyone’s expectations. “Rhagofn” opens with vocals that could wake the dead before the guitars kick …

Review

“Bread & Circuses” by Powers of the Monk

Powers of the Monk puts together a weird and uncomfortable four-minute ride about losing your mind. David Monk sounds like he’s genuinely struggling with the vocals, which actually works for a song about hearing voices and splitting into pieces. What really grabbed my attention is he production quality. John O’Reilly went overboard recording fifteen different …

Review

“Bloom” by Shelita

Shelita drops another winner with her newest track that mixes reggae vibes with pop in ways that actually work. Her voice sits perfectly on top of these laid-back rhythms, never fighting for space or trying too hard to impress. The whole universe-love angle could have gone sideways fast, but Shelita keeps it real, she talks …

Review

“FunkyLines” by Siggimusic

Siggimusic just dropped “FunkyLines” and it’s got this infectious groove that gets stuck in your head whether you want it there or not. The Toronto artist mixes pop with funk in a way that actually works instead of sounding like he’s trying too hard to be different. Here’s the cool part – the song shares …

Review

“Gambler” by The Eisenhauers

The BC folk duo is back after eight years, and “Gambler” feels like catching up with old friends who’ve been through some stuff. The song is about the uncomfortable truth that relationships are basically one big bet where nobody knows the outcome. Recording this live at Vancouver’s Warehouse Studio was a smart move. The band …